The red aluminum casing is very well put together, the knobs on the device are pretty easy to rotate, they aren’t stiff at all and seem like they are built with to last. The channel controls are fairly simple Gain knobs and Line/Instruments switch for each channel, 48V Phantom Power, Direct monitoring On/Off Switch and Headphone Knob. I have to say, however, that I don’t really use/see any real benefit to having this feature since I prefer recording my signal as cleanly as possible and then using some EQ to shape it.
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In terms on inputs and outputs it’s completely identical to the UMC202HD, providing two Combo XLR and ¼” inputs on the front capable of recording two Microphones or Line/Instrument level signals through USB directly into your DAW at a maximum sample rate of 192kHz and a bit depth of 24-bit.Īll Scarlett preamps are of great quality and feature an even gain structure, which allows for accurate gain level setting, plus in the 3rd Gen of the Scarlett series they added the “Air” circuit which essentially works as a High-Frequency boost to make the signal more “Airy”. The Scarlett 2i2 series has been the absolute best-selling Audio Interface on the market for the past couple years now mainly because of its price-to-performance ratio. Next is one of the most famous two-channel Audio Interfaces, and for good reason. Behringer UMC202HD: Amazon, Sweetwater.Specifications Computer Connectivityįind out more about the Behringer U-Phoria UMC204HD here:
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However, while searching on forums I found quite a lot of people complaining about driver issues and some even complained about having to disconnect and re-connecting it because of unwanted noise issues.īut in terms of sound quality, like I just mentioned, I think that you could certainly create high-quality music with it The MIDAS preamps sound great and connecting instruments to it and running some guitar amp sims also works well and there’s little to no latency. The MIDAS Mic preamps on this unit are clean and sound incredible at this price point and to be honest, anyone claiming that their Behringer Interface is making their music sound bad really needs to work on their production skills since the interface isn’t really at fault here (unless you’re using the Behringer UM2). Let’s take a look at its performance Ĭonsidering its extremely affordable price, the Behringer U-Phoria UMC204HD actually surprised me. Lastly, let’s briefly talk about the build quality I tried this interface as well as the UM2, which is the absolute cheapest Behringer interface available and it’s almost entirely made out of plastic, and I’m glad to say that the UMC202HD seems to be really well built, especially considering that you can get one for well under $100. If you’re recording with condenser microphones you’re going to be needing phantom power, and the UMC202HD is capable of supplying it via a Switch on the back of the interface.Īs far as the output options go, it’s only got the two TRS outputs on the back and a headphone jack, but that’s really about it! In addition to this, the UMC202HD can be powered through the USB bus, making it ideal for musicians who are on the road and who don’t have anywhere to plug it in to draw power.Įach channel comes with the essential controls that you could need there’s the gain control for each individual input, an attenuation pad, and a switch that lets you choose between line and instrument level, plus the general output controls such out “Output” and “Headphone” volume.
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It also has the Direct Monitoring function which can be enabled by tapping on the “Direct Monitoring” switch which is really useful while recording since you don’t want to have the sound being sent into the PC, processed (which introduces latency) and then sent back out to your headphones since this will sound similar to a slapback delay, and recording like that really sucks!
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The UMC202HD in an entry-level audio interface that comes with the MIDAS designed mic-preamps, which give you the same sound quality as their popular mixers, but at an affordable price and in a much more portable form.Īs far as the inputs go, it has two Combo XLR and ¼” inputs on the front capable of recording two Microphones or Line/Instrument level signals through USB directly into your DAW at a maximum sample rate of 192kHz and a bit depth of 24-bit.